• All Creative Reviews
  • Feb 26, 2021 Franny Choi's Soft Science (Alice James, 2019)
  • Jan 22, 2021 Lisa Summe’s Say It Hurts (YesYesBooks, 2021)
  • Oct 23, 2020 Lindsay Tigue's System of Ghosts (U of Iowa, 2016)
  • Aug 28, 2020 Takako Arai’s Factory Girls (Action Books, 2019) & Leslie Kaplan’s Excess—The Factory (Commune Editions, 2018)
  • Aug 14, 2020 Jan Bottiglieri's Everything Seems Significant: The Blade Runner Poems (BlazeVOX, 2019)
  • Jul 3, 2020 Julia Cohen's Good Timing & Gertrude Stein (Diode, 2020)
  • Jun 8, 2020 Rosa Alcalá's MyOther Tongue (Futurepoem, 2017)
  • May 22, 2020 Aimée Baker’s Doe (University of Akron Press, 2018)
  • Mar 27, 2020 Alison C. Rollins's Library of Small Catastrophes
  • Feb 27, 2020 Xandria Phillips’s Hull (Nightboat Books, 2019)
  • Feb 17, 2020 Kim Hyesoon’s Autobiography of Death (New Directions, 2018)
  • Dec 27, 2019 Jena Osman's Motion Studies (Ugly Duckling, 2019)
  • Sep 27, 2019 Jeanann Verlee’s prey (Black Lawrence, 2019)
  • Sep 9, 2019 Samantha Giles’s Total Recall (Krupskaya, 2018)
  • Aug 9, 2019 Irène Mathieu’s Grand Marronage (Switchback, 2019)
  • Jul 5, 2019 Karyna McGlynn’s Hothouse (Sarabande, 2017)
  • Jun 14, 2019 Emily Jungmin Yoon's A Cruelty Special to Our Species (Ecco, 2018)
  • May 31, 2019 Bianca Stone's The Möbius Strip Club of Grief (Tin House, 2018)
  • May 3, 2019 Alicia Jo Rabins’s Fruit Geode (Augury Books, 2018)
  • Mar 22, 2019 Vievee Francis's Forest Primeval (Triquarterly, 2015)
  • Dec 27, 2018 Review of Soham Patel’s to afar from afar (Civil Coping Mechanisms, 2018)
  • Dec 20, 2018 Review of Hadara Bar-Nadav's The New Nudity (Saturnalia, 2017)
  • Dec 13, 2018 Review of Sally Rosen Kindred's Says the Forest to the Girl (Porkbelly Press, 2018)
  • Dec 6, 2018 Review of Sally Rosen Kindred's Says the Forest to the Girl (Porkbelly Press, 2018)
  • Nov 29, 2018 Review of L.I. Henley’s Starshine Road (Perugia, 2017)
  • Nov 1, 2018 Review of Kelli Anne Noftle's Adam Cannot Be Adam (Omnidawn, 2017)
  • Sep 27, 2018 Review of Amy Pence's [It] Incandescent (Ninebark Press, 2018)
  • Sep 13, 2018 Review of Lara Mimosa Montes's The Somnambulist (Horse Less Press, 2016)
  • Aug 16, 2018 Diane Seuss's Still Life with Two Dead Peacocks and a Girl (Graywolf, 2018)
  • Aug 3, 2018 Review of Kim Yideum's Cheer Up, Femme Fatale (Action Books, 2016)
  • Jul 19, 2018 Review of Jennifer Jackson Berry’s The Feeder (YesYes Books, 2016)
  • May 25, 2018 Review of Cait Weiss Orcutt’s VALLEYSPEAK (Zone 3 Press, 2017)
  • Dec 14, 2017 Review of Nicole Homer's Pecking Order (Write Bloody, 2017)
  • Dec 7, 2017 Review of Human-Ghost Hybrid Project by Carol Guess & Daniela Olszewska (Black Lawrence, 2017)
  • Nov 30, 2017 Review of jayy dodd's Mannish Tongues (Platypus Press, 2017)
  • Nov 23, 2017 Review of Nikki Wallschlaeger's Crawlspace (Bloof Books, 2017)
  • Nov 2, 2017 Review of Lisa Allen Ortiz's Guide to the Exhibit (Perugia, 2016)
  • Oct 26, 2017 Review of Lynn Melnick’s Landscape with Sex and Violence (YesYes, 2017)
  • Oct 12, 2017 Review of Sophie Klahr's Meet Me Here at Dawn (YesYes Books, 2016)
  • Sep 21, 2017 Review of Megan Levad's Why We Live in the Dark Ages (Tavern Books, 2015)
  • Sep 14, 2017 Review of Sara Uribe's Antígona González (Les Figues Press, 2016)
  • Sep 7, 2017 Review of Kathleen McGookey's Heart in a Jar (White Pine, 2017)
  • Aug 31, 2017 Review of Catherine Pierce's The Tornado Is the World (Saturnalia, 2016)
  • Aug 24, 2017 Review of Imani Sims's (A)Live Heart (Sibling Rivalry, 2016)
  • Aug 17, 2017 Review of Jordan Rice's Constellarium (Orison Books, April 2016)
  • Aug 10, 2017 Review of Melissa Broder's Last Sext (Tin House, 2016)
  • Aug 3, 2017 Review of Jessica Jacobs's In Whatever Light Left to Us (Sibling Rivalry, 2016)
  • Jul 27, 2017 Review of Shelley Wong's Rare Birds (Diode Editions, 2017)
  • Jul 20, 2017 Review of Jenny Johnson's In Full Velvet (Sarabande, 2017)
  • Jul 6, 2017 Review of Jennifer Givhan's Protection Spell (University of Arkansas Press, 2017)
  • Jun 29, 2017 Review of Olivia Gatwood's New American Best Friend (Button Poetry, 2017)
  • Jun 22, 2017 Review of Aziza Barnes's i be, but i ain't (YesYes Books, 2016)
  • Jun 8, 2017 Review of Essy Stone's What It Done to Us (Lost Horse Press, 2017)
  • Jun 1, 2017 Review of Laurie Ann Guerrero's A Crown for Gumecindo (Aztlan Libre, 2015)
  • May 25, 2017 Review of Marisa Crawford’s Reversible (Switchback Books, 2017)
  • May 18, 2017 Review of Leah Poole Osowski's Hover Over Her (Kent State University, 2016)
  • May 11, 2017 Review of Tiana Clark’s Equilibrium (Bull City Press, 2016)
  • May 4, 2017 Review of Joshua Jennifer Espinoza's There Should Be Flowers (CCM, 2016) and Sarah Messer's Dress Made of Mice (Black Lawrence Press, 2015)
  • May 3, 2017 Review of Claudia Cortese's Wasp Queen (Black Lawrence Press, 2016)
  • May 2, 2017 Review of Debora Kuan's Lunch Portraits (Brooklyn Arts Press, 2016)
  • May 1, 2017 Review of francine j. harris’s play dead (Alice James, 2016)
• Audio
  • Aug 9, 2019 Irène Mathieu’s Grand Marronage (Switchback, 2019)
  • May 3, 2019 Alicia Jo Rabins’s Fruit Geode (Augury Books, 2018)
  • Aug 31, 2017 Review of Catherine Pierce's The Tornado Is the World (Saturnalia, 2016)
• Bad Drawings
  • Jul 31, 2017 Katherine Webb's Bad Drawings for Good Poetry: Jones
  • Jun 26, 2017 Katherine Webb's Bad Drawings for Good Poetry: Mortara
  • May 22, 2017 Katherine Webb's Bad Drawings for Good Poetry: Limón
• Calendars
  • Aug 3, 2017 Review of Jessica Jacobs's In Whatever Light Left to Us (Sibling Rivalry, 2016)
• Centos
  • Jan 22, 2021 Lisa Summe’s Say It Hurts (YesYesBooks, 2021)
  • Aug 28, 2020 Takako Arai’s Factory Girls (Action Books, 2019) & Leslie Kaplan’s Excess—The Factory (Commune Editions, 2018)
  • Jun 14, 2019 Emily Jungmin Yoon's A Cruelty Special to Our Species (Ecco, 2018)
  • Dec 6, 2018 Review of Sally Rosen Kindred's Says the Forest to the Girl (Porkbelly Press, 2018)
  • Jan 12, 2018 Review of Khaty Xiong's Poor Anima (Apogee, 2015)
  • Dec 7, 2017 Review of Human-Ghost Hybrid Project by Carol Guess & Daniela Olszewska (Black Lawrence, 2017)
  • Nov 23, 2017 Review of Nikki Wallschlaeger's Crawlspace (Bloof Books, 2017)
  • Sep 7, 2017 Review of Kathleen McGookey's Heart in a Jar (White Pine, 2017)
  • Jul 27, 2017 Review of Shelley Wong's Rare Birds (Diode Editions, 2017)
  • May 25, 2017 Review of Marisa Crawford’s Reversible (Switchback Books, 2017)
  • May 1, 2017 Review of francine j. harris’s play dead (Alice James, 2016)
• Charts
  • Feb 26, 2021 Franny Choi's Soft Science (Alice James, 2019)
• Collaboration
  • May 8, 2020 Collaborative Interview: Molberg & Nuernberger
  • Mar 10, 2018 Review of Elizabeth Bradfield’s Once Removed (Persea Books, 2015)
  • Dec 7, 2017 Review of Human-Ghost Hybrid Project by Carol Guess & Daniela Olszewska (Black Lawrence, 2017)
  • Aug 17, 2017 Review of Jordan Rice's Constellarium (Orison Books, April 2016)
  • Jun 8, 2017 Review of Essy Stone's What It Done to Us (Lost Horse Press, 2017)
• Collaborative Interviews
  • Sep 25, 2020 Collaborative Interview: Cummings & Graue
  • Sep 18, 2020 Collaborative Interview: Graue & Cummings
  • Jul 18, 2020 Collaborative Interview: George & Camp
  • May 8, 2020 Collaborative Interview: Molberg & Nuernberger
• Collage
  • Aug 28, 2020 Takako Arai’s Factory Girls (Action Books, 2019) & Leslie Kaplan’s Excess—The Factory (Commune Editions, 2018)
  • Jul 3, 2020 Julia Cohen's Good Timing & Gertrude Stein (Diode, 2020)
  • Sep 9, 2019 Samantha Giles’s Total Recall (Krupskaya, 2018)
  • Jul 5, 2019 Karyna McGlynn’s Hothouse (Sarabande, 2017)
  • Nov 29, 2018 Review of L.I. Henley’s Starshine Road (Perugia, 2017)
  • Nov 8, 2018 Review of Erika Meitner’s Holy Moly Carry Me (BOA, 2018)
  • Aug 3, 2018 Review of Kim Yideum's Cheer Up, Femme Fatale (Action Books, 2016)
  • Sep 21, 2017 Review of Megan Levad's Why We Live in the Dark Ages (Tavern Books, 2015)
  • Jul 27, 2017 Review of Shelley Wong's Rare Birds (Diode Editions, 2017)
  • Jul 20, 2017 Review of Jenny Johnson's In Full Velvet (Sarabande, 2017)
  • Jun 1, 2017 Review of Laurie Ann Guerrero's A Crown for Gumecindo (Aztlan Libre, 2015)
• Conversations
  • Sep 13, 2018 Review of Lara Mimosa Montes's The Somnambulist (Horse Less Press, 2016)
  • Dec 21, 2017 Interview with Lucy Biederman on The Walmart Book of the Dead (Vine Leaves Press, 2017)
  • Nov 30, 2017 Review of jayy dodd's Mannish Tongues (Platypus Press, 2017)
  • Oct 26, 2017 Review of Lynn Melnick’s Landscape with Sex and Violence (YesYes, 2017)
  • Aug 10, 2017 Review of Melissa Broder's Last Sext (Tin House, 2016)
  • Jul 27, 2017 Review of Shelley Wong's Rare Birds (Diode Editions, 2017)
  • Jul 20, 2017 Review of Jenny Johnson's In Full Velvet (Sarabande, 2017)
  • Jun 8, 2017 Review of Essy Stone's What It Done to Us (Lost Horse Press, 2017)
  • May 11, 2017 Review of Tiana Clark’s Equilibrium (Bull City Press, 2016)
  • May 4, 2017 Review of Joshua Jennifer Espinoza's There Should Be Flowers (CCM, 2016) and Sarah Messer's Dress Made of Mice (Black Lawrence Press, 2015)
• Diagrams
  • Feb 17, 2020 Kim Hyesoon’s Autobiography of Death (New Directions, 2018)
  • Dec 27, 2019 Jena Osman's Motion Studies (Ugly Duckling, 2019)
  • Dec 13, 2018 Review of Sally Rosen Kindred's Says the Forest to the Girl (Porkbelly Press, 2018)
  • Nov 1, 2018 Review of Kelli Anne Noftle's Adam Cannot Be Adam (Omnidawn, 2017)
  • Aug 24, 2017 Review of Imani Sims's (A)Live Heart (Sibling Rivalry, 2016)
  • Aug 17, 2017 Review of Jordan Rice's Constellarium (Orison Books, April 2016)
  • Jun 22, 2017 Review of Aziza Barnes's i be, but i ain't (YesYes Books, 2016)
• Drawings
  • Mar 10, 2018 Review of Elizabeth Bradfield’s Once Removed (Persea Books, 2015)
  • May 18, 2017 Review of Leah Poole Osowski's Hover Over Her (Kent State University, 2016)
• Erasure
  • Jul 6, 2017 Review of Jennifer Givhan's Protection Spell (University of Arkansas Press, 2017)
• Games
  • Dec 27, 2019 Jena Osman's Motion Studies (Ugly Duckling, 2019)
  • Nov 1, 2018 Review of Kelli Anne Noftle's Adam Cannot Be Adam (Omnidawn, 2017)
  • Sep 13, 2018 Review of Lara Mimosa Montes's The Somnambulist (Horse Less Press, 2016)
  • Jul 19, 2018 Review of Jennifer Jackson Berry’s The Feeder (YesYes Books, 2016)
  • May 3, 2017 Review of Claudia Cortese's Wasp Queen (Black Lawrence Press, 2016)
• Guides
  • Mar 27, 2020 Alison C. Rollins's Library of Small Catastrophes
  • Mar 22, 2019 Vievee Francis's Forest Primeval (Triquarterly, 2015)
  • Dec 20, 2018 Review of Hadara Bar-Nadav's The New Nudity (Saturnalia, 2017)
  • Nov 2, 2017 Review of Lisa Allen Ortiz's Guide to the Exhibit (Perugia, 2016)
  • Jul 20, 2017 Review of Jenny Johnson's In Full Velvet (Sarabande, 2017)
• Interactive
  • Jun 19, 2020 Joy Priest's Horsepower (U of Pittsburgh, 2020)
  • Aug 3, 2018 Review of Kim Yideum's Cheer Up, Femme Fatale (Action Books, 2016)
  • Jul 19, 2018 Review of Jennifer Jackson Berry’s The Feeder (YesYes Books, 2016)
  • May 25, 2018 Review of Cait Weiss Orcutt’s VALLEYSPEAK (Zone 3 Press, 2017)
  • May 3, 2017 Review of Claudia Cortese's Wasp Queen (Black Lawrence Press, 2016)
• Interviews
  • May 8, 2020 Collaborative Interview: Molberg & Nuernberger
  • Aug 23, 2019 Julia Bouwsma's Midden (Fordham University Press, 2018)
  • Nov 15, 2018 Interview with Allison Joseph on Corporal Muse (Sibling Rivalry, 2018)
  • Aug 30, 2018 Interview with Karen Paul Holmes on No Such Thing as Distance (Terrapin, 2018)
  • Dec 21, 2017 Interview with Lucy Biederman on The Walmart Book of the Dead (Vine Leaves Press, 2017)
• Lesson Plans
  • Aug 16, 2018 Diane Seuss's Still Life with Two Dead Peacocks and a Girl (Graywolf, 2018)
  • Jan 26, 2018 Review of Eve L. Ewing's Electric Arches (Haymarket Books, 2017)
• Lists
  • Nov 8, 2018 Review of Erika Meitner’s Holy Moly Carry Me (BOA, 2018)
  • Jul 6, 2018 Summer Reading
  • Dec 31, 2017 2017 Staff Recommendations
  • Dec 14, 2017 Review of Nicole Homer's Pecking Order (Write Bloody, 2017)
  • Nov 23, 2017 Review of Nikki Wallschlaeger's Crawlspace (Bloof Books, 2017)
• Lyrical Reviews
  • Sep 9, 2019 Samantha Giles’s Total Recall (Krupskaya, 2018)
  • Aug 9, 2019 Irène Mathieu’s Grand Marronage (Switchback, 2019)
  • May 31, 2019 Bianca Stone's The Möbius Strip Club of Grief (Tin House, 2018)
  • Dec 27, 2018 Review of Soham Patel’s to afar from afar (Civil Coping Mechanisms, 2018)
  • Dec 7, 2017 Review of Human-Ghost Hybrid Project by Carol Guess & Daniela Olszewska (Black Lawrence, 2017)
  • Oct 12, 2017 Review of Sophie Klahr's Meet Me Here at Dawn (YesYes Books, 2016)
  • Sep 21, 2017 Review of Megan Levad's Why We Live in the Dark Ages (Tavern Books, 2015)
  • Sep 14, 2017 Review of Sara Uribe's Antígona González (Les Figues Press, 2016)
• Maps
  • Jun 19, 2020 Joy Priest's Horsepower (U of Pittsburgh, 2020)
  • Feb 27, 2020 Xandria Phillips’s Hull (Nightboat Books, 2019)
  • Feb 17, 2020 Kim Hyesoon’s Autobiography of Death (New Directions, 2018)
  • Dec 27, 2019 Jena Osman's Motion Studies (Ugly Duckling, 2019)
  • May 25, 2018 Review of Cait Weiss Orcutt’s VALLEYSPEAK (Zone 3 Press, 2017)
• Marginalia
  • Nov 8, 2018 Review of Erika Meitner’s Holy Moly Carry Me (BOA, 2018)
  • Sep 27, 2018 Review of Amy Pence's [It] Incandescent (Ninebark Press, 2018)
  • Nov 2, 2017 Review of Lisa Allen Ortiz's Guide to the Exhibit (Perugia, 2016)
• Photography
  • Aug 16, 2018 Diane Seuss's Still Life with Two Dead Peacocks and a Girl (Graywolf, 2018)
• Quizzes
  • Jun 29, 2017 Review of Olivia Gatwood's New American Best Friend (Button Poetry, 2017)
• Visual
  • Aug 14, 2020 Jan Bottiglieri's Everything Seems Significant: The Blade Runner Poems (BlazeVOX, 2019)
  • May 22, 2020 Aimée Baker’s Doe (University of Akron Press, 2018)
  • Mar 27, 2020 Alison C. Rollins's Library of Small Catastrophes
  • Feb 27, 2020 Xandria Phillips’s Hull (Nightboat Books, 2019)
  • Feb 17, 2020 Kim Hyesoon’s Autobiography of Death (New Directions, 2018)
  • Sep 27, 2019 Jeanann Verlee’s prey (Black Lawrence, 2019)
  • Jul 5, 2019 Karyna McGlynn’s Hothouse (Sarabande, 2017)
  • Dec 13, 2018 Review of Sally Rosen Kindred's Says the Forest to the Girl (Porkbelly Press, 2018)
  • Nov 29, 2018 Review of L.I. Henley’s Starshine Road (Perugia, 2017)
  • Aug 16, 2018 Diane Seuss's Still Life with Two Dead Peacocks and a Girl (Graywolf, 2018)
  • Mar 10, 2018 Review of Elizabeth Bradfield’s Once Removed (Persea Books, 2015)
  • Aug 24, 2017 Review of Imani Sims's (A)Live Heart (Sibling Rivalry, 2016)
  • Aug 17, 2017 Review of Jordan Rice's Constellarium (Orison Books, April 2016)
  • Aug 3, 2017 Review of Jessica Jacobs's In Whatever Light Left to Us (Sibling Rivalry, 2016)
  • Jun 22, 2017 Review of Aziza Barnes's i be, but i ain't (YesYes Books, 2016)
  • May 18, 2017 Review of Leah Poole Osowski's Hover Over Her (Kent State University, 2016)
• Writing Prompts
  • Oct 9, 2020 Sara Borjas's Heart Like a Window, Mouth Like a Cliff (Noemi Press, 2019)
  • May 11, 2018 Review of MK Chavez’s Dear Animal, (Nomadic Press, 2016)
  • Apr 20, 2018 Review of Heidi Czerwiec's Conjoining (Sable Books, 2017)
  • Apr 6, 2018 Review of Amber West's Hen & God (The Word Works, 2017)
  • Jan 26, 2018 Review of Eve L. Ewing's Electric Arches (Haymarket Books, 2017)
  • Oct 5, 2017 Review of Donika Kelly's Bestiary (Graywolf, 2016)